The archives runneth over, but here's a selection.
TODAY
2019
Buskers' Battles
Read here
YP
2019
Getting Up Close & Personal With the Silverman of Singapore
Read here
The Indian Express
2016
Caught In The Act
Read here
Coconuts
2016
Silver Man: The Tale of Singapore's Wildest Busker
Read here
TODAY Newspaper
2015
Busk In Limelight: Singapore Minstrel in Singapore International Film Fest
Read here
Esquire Singapore
2014
"An artist can be anybody. If you have a couple of beautiful, well-behaved children, I’d say you are an artist."
The New Paper
2013
Audiences Know When They Can See Good Art
Read here
Timeout
2013
"With stage performances, the audience is already there, and you often have sound effects to build the hype. On the street it is different – you’ve got to adapt, and it’s not just about talent. You have to ask why people should give you money, and know how to get the crowd. I like being out under the sky and on the street, where you can see your audience’s faces. I believe a lot of creativity comes from the street and people here don’t really realise that. I chose to do this because nobody expects great things to be coming from the street; nobody takes busking seriously."
POSKOD.SG
Singapore Busker: the madness of modern minstrels in an effacing republic
Read here
2019
Buskers' Battles
Read here
YP
2019
Getting Up Close & Personal With the Silverman of Singapore
Read here
The Indian Express
2016
Caught In The Act
Read here
Coconuts
2016
Silver Man: The Tale of Singapore's Wildest Busker
Read here
TODAY Newspaper
2015
Busk In Limelight: Singapore Minstrel in Singapore International Film Fest
Read here
Esquire Singapore
2014
"An artist can be anybody. If you have a couple of beautiful, well-behaved children, I’d say you are an artist."
The New Paper
2013
Audiences Know When They Can See Good Art
Read here
Timeout
2013
"With stage performances, the audience is already there, and you often have sound effects to build the hype. On the street it is different – you’ve got to adapt, and it’s not just about talent. You have to ask why people should give you money, and know how to get the crowd. I like being out under the sky and on the street, where you can see your audience’s faces. I believe a lot of creativity comes from the street and people here don’t really realise that. I chose to do this because nobody expects great things to be coming from the street; nobody takes busking seriously."
POSKOD.SG
Singapore Busker: the madness of modern minstrels in an effacing republic
Read here
